In the dynamic landscape of the Nigerian music industry, controversies and rivalries often capture public attention. A recent episode involves the outspoken artist Portable, who has been vocal about his relationships with fellow musicians, notably Olamide and Asake. This discourse has led to speculations about potential tensions with British-Nigerian rapper Skepta.
Portable’s Assertion of Originality
In January 2025, Portable addressed comparisons between himself and Asake, particularly after Asake adopted a new look featuring shorter hair and facial tattoos. Portable expressed his displeasure, stating, “I am very annoyed at this moment because these artistes keep copying me; if they can’t sing anymore, they should leave the industry. They are copying my style and moves because I want to kill them with my originality.”
Skepta’s Perspective
Amid these developments, Skepta has publicly expressed his admiration for Portable’s authenticity. He remarked, “I’ve met so many fake guys in this game, and meeting Portable was refreshing. Whatever Portable does, I recognize. I may not do it myself, but I know that energy and respect it.”
Portable’s Denial of Disrespect
In response to allegations of disrespecting his supporters, Portable clarified his stance during an appearance on the Echo Room podcast. He emphasized that he holds Olamide and Skepta in high regard, acknowledging their significant contributions to his career. Portable stated, “Baddo na person, I have offended him several times but he still helps me! Dem say I dey insult all my helpers; did I ever insult Olamide Baddo? Did you see me insult Skepta? They gave me their platforms.”
Industry Dypective ics and Potential Tensions
The Nigerian music scene is known for its vibrant collaborations and occasional conflicts. Portable’s assertive nature and candid remarks have led to both support and criticism from peers and fans alike. While he has openly criticized artists like Wizkid, Davido, and Burna Boy for not supporting him, he maintains a respectful tone towards Olamide and Skepta. This selective critique has led to speculations about potential future tensions, including with Skepta.
Conclusion
As the narrative unfolds, it remains essential to approach such stories with a critical eye, recognizing the complexities of personal relationships and public personas in the music industry. While Portable’s outspoken nature continues to stir discussions, his respect for certain industry figures like Olamide and Skepta suggests a nuanced perspective that values genuine support and collaboration.